Posted in Memoir

THEYYAMS – THE UNIQUE FOLK ART OF DEMIGODS FROM GOD’S OWN COUNTRY

THEYYAMS in all their GLORY

Rishabh Shetty’s popular film KANTARA piqued the nation’s interest in Panchurli and Demigods, making it easier to talk about centuries-old folk art rituals from Kannur, North Kerala – ‘THEYYAMS.’

Witnessing this unique cultural/religious event of Devasthanam (family temples) and Demigods with elaborate facial makeup, labyrinthine costumes, and mind-numbing headgears with an added spiritual angle can be a surreal experience.

After a huge gap of four years, (thanks to the  COVID Virus that refused to leave us mortals), my large extended THEEYARETH family, last week, celebrated our biennial temple ritual nonstop for three days with great fervor. An ardent fan of our tradition and culture, I happily stayed awake through those three days to observe, understand, and assimilate these solemn rituals as much as possible. 

Reminding of the times when our giant joint families existed in harmony and enjoyed every event together, the now nuclear families across the globe got together and joined hands to celebrate and pay reverence to our demigods through this exceptional art form. 

At our family temple, we have five demigods as our deities led by none other than Panchuruli Amma – it’s believed that Panjurli is the incarnation of Lord Vishnu who took the form of Varaha (Wild Boar), killed Hiranyaksha, and saved the earth.

During those three days, a total of thirty theyyams aced their acts at our temple. Each theyyam has a story to tell about his/her origin, and in a prequel, the story is recited through folksongs. The drummers combine as musicians here. The frenzy created by young, educated, extremely proficient drummers, other musicians, and the swaying/dancing performers is infectious. I, for one, was enjoying, revering, catching up, and trying to transfer a few glimpses onto the camera – all at the same time. 

From childhood, I enjoyed these rituals but with no understanding, and even now, I’m still trying to comprehend the strenuous efforts, stressful training, mythology, and rituals behind each theyyam. The current/younger generation of performers has vigor, vitality, and unrelenting belief in the Omnipotent. These young men whom we would not otherwise recognize, turn powerful once they drape in elaborate costumes representing the demigod, and we all stand in reverence watching them,  listening to their soothsaying, and seeking their blessings. 

There are lessons to learn here:

1. Forgotten Caste Divide For centuries, men from lower castes ‘Malaya,’ and ‘Vannan,’ (who now belong to Scheduled Caste) have been holding exclusive rights over this art, and it’s passed on from fathers to sons or uncles to nephews. It was paradoxical that during the days of untouchability, these low-caste men who would otherwise bend low or move out of the way when sighted by the ruling elite, would bless men and women from the upper caste once they are in ‘FORM‘. Now, it is the turn of these upper caste men to bow in front of these Demigod Representatives, eagerly listening to their Oracle and seeking their blessings. 

2. Gender Equality: Though the performers are all male members and the men in our family are given preference over women during the rituals, women are not ignored. Rather, they are revered by every theyyam. Prior to starting the ceremony, each theyyam seeks the blessings of a senior woman from the family.  At a specially erected part of the temple,  the lady throws rice grains over the theyyam and blesses HIM! Only a matrilineal family could think of such special ways of elevating the status of the woman.  Yet again, 60% of the theyyams represent women demigods! Gender Equality/Women Power from Centuries!

3. Spiritual Upliftment: The entire celebration was a spiritually uplifting experience for me where ordinary men, once adorned by special attire, perform humanly impossible feats. Playing with fire or sword,  swaying and cartwheeling to the accompanying frenzied drumbeats, balancing a massive headgear for hours at a stretch – they do it all with utmost ease. No doubt, they are blessed by the Omnipresent to come out unscathed.

For Believers- it’s witnessing the power of the UNSEEN.

For Non-believers – it’s equally enchanting as a unique ritual that retains all its century-old traditions.

Either way, these breathtaking events are to be seen and cherished. 

Sharing video glimpses, if not visible, please double click on each image below:

Kantara Famous Panchuruli
Thottinkara Bhagavathi (The Goddess from Riverside)
Padaveeran (The Demogod, who is an expert fighter)
Thai Pradevatha – The Supreme Goddess Bhadrakali

Author:

Decoding thoughts and feelings through words is pleasing to my mind. With changing moods, my thinking varies. Penning the good and bad imageries and putting these in black & white is what I'm enjoying right now. While collectivemusing.wordpress.com is dedicated to recalling exciting memories of the past along with friends, I'm foraying into other genres as well. My OTT platform/web series reviews are born out of my love for binge-watching serious/meaningful stories, and you can check those out on umasflickpicks.wordpress.com

14 thoughts on “THEYYAMS – THE UNIQUE FOLK ART OF DEMIGODS FROM GOD’S OWN COUNTRY

  1. Love all the details! I never made an effort to understand all of it before so thoroughly enjoyed the descriptions and also the lessons!

    Liked by 1 person

  2. Your article on Theyyam is a compelling exposition that illuminates the multifaceted cultural tapestry of Kerala. The intricate and nuanced details you’ve provided about the evolution and significance of Theyyam are indeed fascinating. The resilience and enduring quality of this traditional art form are truly remarkable, and your writing aptly captures the essence of the divinity and fervor that it evokes. Thank you for imparting your insightful knowledge and passion for this exquisite and unique expression of folk art.

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      1. Sudha’s well written article gave me a glimpse of what Theyyam is . Nice to know that even today our old traditions , customs n cultures are followed without any dilutions . Hats off to the performers , performing in the sweltering heat of April . Really they are all blessed souls

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  3. Totally impressed with the article on theyyam.loved the way u described all the minute details in such simple words..excellent work👏👏

    Liked by 1 person

  4. Truly fascinating for the believers and non believers alike. Your write up along with the captivating videos are like a documentary worth preserving for the future generations.
    Just curious to know how Kaliyattam is different from Theyyam. Heard that there was a Maha Kaliyattam around your place recently. My brother had the opportunity to attend it and was completely bowled over by it’s magnitude.

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    1. Thank you! Kaliyattam and theyyam are one and the same. When a number of theyyams perform in a temple (private or public), it becomes kaliyattam. Ours was also Kalyattam with more than 30 theyyams acing, representing different demigods. One theyyam may have one or two prequels (called thottams adorning less facial makeup and costumes and more of singing/swaying/performing feats and explaining the story behind each one). It’s breathtaking indeed. No wonder your brother was bowled over

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  5. What a fascinating read! Loved the details but particularly your observations about what lessons could be derived from it all. Thank you for taking us readers through a journey of social, cultural and historical nuances of Theyyam and keeping it real.

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  6. I was lucky to witness “Theyyam”, my first in life. It was so mesmerising and Ms Sudha has beautifully presented it with brief explanations of various aspects. The caste system in Kerala is a thing of past and probably buried many decades ago. The matriarchal system ensures respect and recognition of womenfolks and must be emulated everywhere. Watching “ Theyyam” just brings out spirituality even without our realising it. Ms Sudha’s brief description and explanation of Theyyam will sure inspire many people, especially the younger generation to watch it whenever they get a chance and get benefited.

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